“House of Heru” Another Name known from predynastic times, Hethert represents the feminine principle, as reflected in several of Her symbols: the cow, the mirror, and the ritual rattle or sistrum. Hethert is patroness of women, and professions given to Her priesthood include dancers, singers, actors and acrobats; even up to Greek times the arts were under Hethert’s dominion. Hethert’s temples, especially that at Ta-Netjer were centers for both healing and midwifery. Priests in the temple of Ta-Netjer conducted oracles with Hethert in trance rituals held in crypts underneath the sanctuary, and any person could sleep on the temple roof and hope for a dream, which could be interpreted the next morning by the priests. Hethert’s association with both cows and the sistrum probably results from Her assimilation of the Predynastic Netjer Bat; “sistrum capitals” atop the pillars throughout Kemetic temples show Hethert’s full face with cow’s ears atop a “naos”-style sistrum. Hethert was closely associated with Heru-Behdety at Edfu, perhaps influencing the fact that She was a patroness of Kemet’s queens (as Heru is to the king, so Hethert is to the queen). Some queens are referred to by Hethert’s titles of “Mistress of Heaven” and “Lady of Gold.” Nefertary’s spectacular temple at Abu Simbel in Nubia depicts the Great Royal Wife as Hethert in many places; and her husband Ramses II is depicted in its sanctuary, suckling from the udder of Hethert as a divine cow. ”
I am the Soul of Hathor
Het Heru
(Greeks called her Hathor)
Het Heru is the goddess of beauty, love, sensuality and all the shiny things in life.
She is envisioned as being a very beautiful maiden usually adorned with jewelry and wearing a crown made of a pair of bull horns with a solar disc.
| Het Heru is the goddess that motivates us to seek our hightest potential. She is the energy that gives us a sense of fulfillment that allures us to quest after change. Her erotic force, which stimulates passion is what motivates us all to change. It is for this reason that she is also called the goddess of love and passion. |
She loves the colors green, yellow and pink. Her sacred number is five and her day of the week is Friday. Though she owns all jewelry but her favorite metal and stone is brass and diamonds, as they are her best friend.
Hathor, Womb of the Origin
Her essential hieroglyph, read as Het Heru, which translates as the house of Horus symbolizes Hathor in her ancient role as sky goddess. Here she is seen as, the primeval waters or womb of space where the great illuminated one Horus, the oldest of the sun gods, represented here by the falcon was conceived, brought forth and dwelled.
In her form as the celestial cow that nourishes all creation, Hathor is an ancient goddess who originates from pre-dynastic Egypt. Pictured in this form with stars on her belly, horns of the crescent moon and a solar disk on her head, Hathor, the ‘mother of the light’ and ‘golden one’, is the loving consort of the powerful sun god Ra. Throughout the literature she is alternatively referred to as Ra’s mother, daughter, and powerful shining eye. According to the eminent scholar of Egyptian studies E. A. Wallis Budge, Hathor was perceived as “the great Mother of the World,” and the “power of nature that was perpetually conceiving and bringing forth, rearing and maintaining all things, both great and small.” In this role she represented the fullness of the feminine experience. “She was the mother of her father, and the daughter of her son. Heaven, earth and the underworld were under her rule and she was the mother of every god and every Goddess.”
You’ll find Danu in some of Ireland’s oldest texts, like the Lebor Gabála Érenn (“The Book of
Invasions”), which basically lays out the wild and ancient history of Ireland. The Tuatha Dé Danann—whose name means “People of the Goddess Danu”—are said to have arrived in Ireland from a misty, magical place in the north. Th were said to control the weather, change their shape, and were talented in art and music.
The Tuatha Dé Danann are gods of Irish mythology. Led by famous gods like Dagda (the “Good God” with his magical cauldron) and Brigid (goddess of poetry and healing), they possess all talents and arts. Danu is the Mother and at the center of most of their mythology. When they landed in Ireland, they conquered the Fir Bolg and took on the monstrous Fomorians.
Danu hasn’t faded away—far from it! Today, she is prominent in neo-pagan and druid traditions. People call on her for help with creativity, growing things, and protecting the environment. You will see some of her legends in Irish art, music, and stories. She is a symbol of the deep connection between people and nature.
I look up and see my boulder. A favorite place to sit and watch the ocean. I stand here looking for the best way up. Rocks will serve as giant stepping stones to reach my goal, in between, small little pools.
I feel free here in the sky! Tall and strong, but it is time to go. I climb down, careful to not step in the little pools.
Most of us know the story of Inanna’s descent into the Underworld to visit with her sister Erishkigal. The reason for her visit is that Erishkigal’s husband has died and Inanna was a childhood friend of his and she will visit to pay her respects. As she travels to meet her sister, Inanna must pass through seven gates where they ask her to remove and part with aspects of herself so when she approaches Ereshkigal.
She returns to Demuzi, her new husband, only to find him enjoying himself, drinking, feasting and making music while she was suffering. Enraged, Inanna decides Dumuzi should be the one to take her place in the Underworld. She directs the Anunna to seize him, which they do. Dumuzi desperately pleads with Inanna to relent, but she turns her back on him. He then appeals to Utu, but he too forsakes him. The Anunna carry Dumuzi away.

We are in the season of Lughnasadh, also known as Lammas. This is the first of three harvest festivals. This one focuses on what we call the “first fruits”, those fruits, vegetables and grains ripening early in the season. The other two are Mabon and Samhain, one celebrating the harvest of the last crops and the next that of the herd animals sacrificed to feed the tribes.
It is also the great festival of Lugh, or Lug, the great Celtic Sun King and God of Light. August is His sacred month when He initiated great festivities in honour of His mother, Tailtiu. Feasting, market fairs, games and bonfire celebrations were the order of the day. Circle dancing, reflecting the movement of the sun in sympathetic magic, was popular, as were all community gatherings. August was considered an auspicious month for handfastings and weddings.
I was standing next to a large field of golden grain which was moving in waves at the urging of the wind. I was holding a tall scythe in my right hand, and I was gazing out over this field. I could feel the hot sun behind me and an equal warmth in my heart as it filled with pride at the beauty of this fine harvest before me. I was proud of the work I had done and yet felt even more was the gratitude for the rich soil, the frequency of rain and the energy of the glorious sun shining down, the energy of the Mother, giving life to this crop which I am about to sacrifice, in all its bounty, so that I might live yet another year.
Many years ago, I read the book, Soul Mates, Honoring the Mystery of Love and Relationship, by Thomas Moore. I was incredibly impacted by what Thomas More discussed in this book. Prior to reading it I knew that for relationships to remain healthy they required attention paid to them, but I had never seen it described as he did in this book. He says that all our relationships have a “soul” and that the soul of every relationship requires nurturing for the relationship to remain healthy. Understanding this is an absolute requirement if we want the relationships, we must be healthy.