Most of us know the story of Inanna’s descent into the Underworld to visit with her sister Erishkigal. The reason for her visit is that Erishkigal’s husband has died and Inanna was a childhood friend of his and she will visit to pay her respects. As she travels to meet her sister, Inanna must pass through seven gates where they ask her to remove and part with aspects of herself so when she approaches Ereshkigal.
Upon arrival, her sister, who is angry because she believes that her husband loved Inanna, hangs Inanna from a meat hook to die.

While Inanna was in the Underworld, Ninshubur waited three days for Her to return, and when she did not she thought all was lost and began to mourn for her. She visited the temple of Enki who agreed to help her. Enki knows the nature of the underworld and its rule by a jealous, anguished Erishkigal. As a god he has the power to create and ease hardship. From the dirt under his fingernails, he creates the kurgarra and galatur, instinctual, asexual creatures endowed with the artistic and empathic talent of being professional mourners, capable of mirroring the lonely queen’s emotions. These little asexual creatures represent the attitude necessary to draw a blessing from the dark goddess. He commanded them to go to the Underworld where they found Erishkigal in the throes of agony and reeling from the misery she has caused. When she moans, they moan with her, appeasing her anguish by the echo of their concern, affirming her in her suffering. Enki has understood that complaining is one voice of the dark goddess, a way of expressing life, valid and deep in the feminine soul.
When she sees their sympathy she offers them a gift. They are to ask only for the corpse of Inanna and, having received it, are to resurrect her with the bread and water of life. They perform the task of bringing Inanna back to life, reviving Her with the gift of the bread and water of life. But as they prepare to leave but Anunna stops them and tells them she may not leave unless someone comes in her place. Inanna agrees to find someone and is allowed to leave.
She returns to Demuzi, her new husband, only to find him enjoying himself, drinking, feasting and making music while she was suffering. Enraged, Inanna decides Dumuzi should be the one to take her place in the Underworld. She directs the Anunna to seize him, which they do. Dumuzi desperately pleads with Inanna to relent, but she turns her back on him. He then appeals to Utu, but he too forsakes him. The Anunna carry Dumuzi away.
Inanna’s descent into the Underworld is the Sumerian mythology to explain the Dark Times and the absence of the Goddess. It is at Imbolc (the beginning of Spring – our Ground Hog Day) that Inanna is given the bread and water of life. This is the promise of returning life, the first stirring of the Bright Goddess’s return to us. She has not yet returned to her Temple, nor has she chosen Demuzi to be Her replacement. She is alive – and returning. It will be at the coming Spring Equinox that Demuzi will be taken to the Underworld.
Hail Inanna! Blessed Be the Gift of the Bread and Waters of Life!
Retrieved at Inanna, an Opera of Ancient Sumer http://www.craton.net/inanna/main.php?action=synopsis
Retrieved at Library of Halexandria http://www.halexandria.org/dward385.htm
Perera, Sylvia Brinton, Descent to the Goddess, Inner City Books, Toronto, Canada 1981
We are entering the season of Imbolc, a liminal time of year in which we turn the Wheel from winter to spring. Depending on where you live, it can be very difficult to see this change. In colder climates, winter is not over. Here in South Central Texas we can have snow and ice as late as the end of February! I have memories of living in cold climates where winter often continued on into May. What triggered me into an awareness of the coming spring were the beautiful crocus blooms peeking up out of the snow! Seeing that filled my heart with joy and the promise of spring.
No matter what path we walk, whether we honor the Cailleach and Brigid or not, we can all drink from Sacred Waters. Water is made sacred by our own intent. Should you wish to do this yourself, first you must prepare. We have one week to be ready by February 1st. It is good to first clean and prepare a sacred place in your home – preferably the area you feel is the “heart” of your home. Sometime between now and February 1st, sit within this space and write down all of the ways in which you wish to transform your life. Write these changes down with positive statements, as if these changes already exist. You don’t want to say, “Abundance is going to come to me.” You want to say instead, “Abundance flows in my life.”
At Imbolc we celebrate the first stirrings of spring. It is a time of rebirth and new hope. The earth begins to wake from its winter slumber, the snow begins to melt, and the first green buds and shoots appear, bringing with them the promise of spring. For most of us it is still bitterly cold outside, and if you live in New England snow still covers the ground. It’s hard to imagine spring is just around the corner when you are still shoveling snow from your driveway.
e up of jagged rocks which may be why she was sometime said to have very sharp teeth.
Cailleach and Brigid’s myths remind us how the Celts divided the year. Although we recognize four distinct seasons, the Celts generally divided their year in two, the dark and light half of the year. Although triple Goddesses are prevalent in Celtic myths, dual or two faced Goddesses are just as common. Cailleach and Brigid are two aspects of the same Goddess, their changing faces mirroring the changing of the seasons, and the way the Celts viewed theses seasonal cycles. At times these dual Goddesses appear as a Crone and Maiden, other times they are two sisters. We see this in Aine and Grian, two Irish sister Goddesses, who each ruled half of the year. Whether we see the Goddess as Maiden, Mother and Crone, or as the Winter Crone and Spring Maiden, these two aspects of the Goddess are intrinsically linked. The darkness of the Crone will always give way to the rebirth and new beginning of the Maiden.

